![neon genesis evangelion episode 19 20 shots neon genesis evangelion episode 19 20 shots](https://2.bp.blogspot.com/-7afmIDtAS4g/VSC3eaTZA7I/AAAAAAAAd4Q/3e8_Lxso0b4/s1600/Picture%2B5.png)
Neon genesis evangelion episode 19 20 shots full#
Such overlay issues are inherently to full analogical animation with no digital balance, as it’s difficult to compensate the exposure by just increasing the amount of light of the capture machine, sometimes even if correcting the exposure is indeed possible by controlling the light source, the colors may be off since the cells not only aren’t perfectly transparent, but they may filter some color wavelength to pass slighter easier than others. This is also present on the original broadcast. The first scene has at least two extra cell layers for the explosion and the bullet tracers from Unit 02, but the next scene omits these two extra layers, thus it becomes clearly slightly lighter. Speaking of which, the more cell layers are used for composing a scene, the darker it’ll look by the way, this can be seen on two follow up scenes of Asuka shooting zeruel further bellow. Then the episode 19 BD was made from this same new film master from the 2003 renewal. I wonder how these corrections were originally made, but I suspect a new master film was created after such corrections and this new master wasn’t properly exposed like other episodes that look miles better. I believe this has something to do with several animation issues that have been fixed from the original broadcast version, as can be seen here: It’s also important to note that all color and exposure issues from the BD appear identical on the original DVD remaster from 2003. As a matter of fact, episode 19 looks the worse from all the episodes on the BD (with the exception of 16, of course). You can get the original comic "Under Pressure" over on Gumroad, and if you want to help support the production of the rest of the animation over on my Patreon.But even so, the original broadcast version also has some minor exposure issues, notably Eva Unit 01 regenerating her arm like the first picture above, the shot looks considerable darker than the previous one, I suspect mainly due to the “blur” effect that was added for the sceneĬompared to other episodes that reuses these same cells or have similar shots the issues become very clear as being cronical to episode 19. If you want to support the project, please consider becoming a patron (if you aren't already), or sharing the video around (in acceptable places) to drum up support! I'm so glad to see all these shots all together and in context! There's still a long ways to go, but I'll get it done one way or another, fan content guidelines be damned. My lack of Evangelion related animated content was really irking me, so I figured why not try and adapt "Under Pressure"?Īnd so, here we are, a bunch of animated shots and a name change later. My drawing skills are not the greatest, but I figured I could at least manage inking and coloring. I was super happy with the result, which yielded this shot:Īnd then I got hit with a massive stroke of hubris.
![neon genesis evangelion episode 19 20 shots neon genesis evangelion episode 19 20 shots](https://sephirotic.files.wordpress.com/2015/10/episode-19-broadcast-1-mkv_snapshot_04-15_2015-10-10_19-35-50.png)
A couple of months after we released the comic, I had the idea of doing some rough animation in After Effects, rendering out the animation, and then re-inking over it frame by frame. Occasionally I do little experiments to test out new animation techniques or styles. We finally finished it and put it up for sale on the Cyberframe Gumroad store in March 2020. It was called "Under Pressure" (not the greatest name), and was a Futa on Female comic featuring Asuka and Hikari. I wrote out the script and did the rough page layout, and he drew the art for it. Sometime in 2019, I started on an Evangelion comic collab with Cyberunique. This is the first minute of Neon Genital Evangelion: Hikari's Dilemma, the culmination of a bunch of shots I've been animating these past few months (in between shots for Voyage for Poon). So I'm super happy to finally be able to release this! Despite, that, I've done precious few Evangelion related animations. It's the show that got me into anime in the first place, and it's stuck with me all these years.